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Q&A with Cathy-Di in anticipation of her appearance in Pleasures of Versailles by Charpentier
We’ve waited long enough to experience this jewel of the French Baroque – Charpentier’s Médée. by Genevieve Lang
How do you solve a problem like Medea? by Alexandra Pinkham
Legrenzi's Gift by Genevieve Lang. Article written for Pinchgut Opera's 2023 performances of Giustino by Legrenzi.
A Passionate performance, by Genevieve Lang. Article written for Pinchgut Opera's 2023 performances of Buxteheude's Membra Jesu Nostri.
The Women in My Life by Erin Helyard
Girls rising The value of all-female choirs and ensembles was recognised as far back at the 17th century.
Artistic Director Erin Helyard has published his first book about virtuosity and the market for music in eighteenth-century London.
Gallery of images from Pinchgut Opera's 2022 production of Orontea by Cesti. Photographs taken by Brett Boardman.
In bringing Cesti’s lusty comedy Orontea to Australian audiences for the first time, Pinchgut knows we have a hit on our hands.
Orontea by Cesti | Photos from the Rehearsal Room
Q&A with Andrew O'Connor
David Greco awarded a doctorate
‘An Australian triumph forged in a time of great diversity’ - reviews of A Delicate Fire
Seconda Prattica: The birth of opera
Erin Helyard plays a short piece by Élisabeth Jacquet de La Guerre.
A recording of the Valer Sabadus recital at Phoenix Central Park in 2019.
Erin Helyard plays 'In nomine à 3' by John Bull (1562-1628).
Erin Helyard plays Pièce croisée où il y un canon by Louis Couperin
Erin Helyard plays Passacaille by Luigi Rossi
Erin Helyard plays Joseph-Hector Fiocco.
Erin Helyard plays Azzolino Bernardino della Ciaia.
A recording of the full Splendour of Venice concert
Erin Helyard plays a prelude to one of Johann Ludwig Krebs's works.
An article by Erin Helyard
A blog post by Erin Helyard about beautiful things in opera.
Andrew O'Connor is an Australian bass baritone working with Pinchgut Opera.
Five Minutes with Christopher Lowrey
Five Minutes with Jacqueline Dark
Valer Sabadus will grace our shores for the first time this August for one night only. Enjoy this short interview conducted with the countertenor ahead of his visit.
We've enjoyed glowing reviews for our weekend performances of Bach and Telemann.
A note from Erin Helyard
Anna Dowsley in Bach and Telemann for Pinchgut Opera
Five Minutes with Chas Rader-Shieber
Director Mark Gaal on Poppea and working with Pinchgut - again
Guests sipped cocktails and enjoyed Friday evening conversation to celebrate the launch of Pinchgut's 2017 Season. Chic Sydney bar Eau de Vie was transformed into an 18th century-st...
ERIN EXPLAINS... from The Artistic Director
Find out more about Orchestra of the Antipodes & Cantillation.
Find out what's been happening with Caitlin lately.
A Contrabassoon for Theodora
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