Veronique is a lighting, set and costume designer. Veronique completed a Master of Fine
Art (Design for Performance) in 2019 majoring in lighting. She also holds a Bachelor of Fine
Art (Technical Theatre and Stage Management) from NIDA.

As a lighting designer, Veronique’s credits include: THE JUNGLE AND THE SEA, TELL ME
I’M HERE, THE WOLVES (Belvoir); NATASHA, PIERRE AND THE GREAT COMET OF
1912 (Darlinghurst Theatre Company); THE GREAT DIVIDE (Ensemble); ALICE: MOTHER
OF CINEMA, MACHINAL (NIDA); BURN WITCH BURN (Old Fitz); HAPPY DAYS (Red Line
Productions); SACRE (Circa); BANGING DENMARK (Sydney Theatre Company); THE
SMALLEST HOUR (Griffin Theatre); JOHN (Outhouse Theatre Co.); A LITTLE NIGHT
MUSIC, THE LIFE OF US (Hayes Theatre); THE PLEASURE OF VERSAILLE (Pinchgut
Opera); NOSFERATU (Old 505); STUPID FUCKING BIRD (New Theatre); HAPPY DAYS,
CHORUS, ANATOMY OF A SUICIDE, PERMISSION TO SPIN, HOWIE THE ROOKIE (Old
Fitz); A GIRL IS A HALF-FORMED THING (KXT).

Veronique designed set and lighting for ULSTER AMERICAN, SWITZERLAND, set and
costumes for THE MEMORY OF WATER, RHINESTONE REX AND MISS MONICA, A
BROADCAST COUP, THE CARETAKER, and A DOLL’S HOUSE (Ensemble); costumes for
MUSEUM OF MODERN LOVE (Seymour Centre/Sydney Festival); set and lighting design
for EXIT THE KING (Red Line Productions); set and lighting for A CASE FOR THE
EXISTENCE OF GOD, ULSTER AMERICAN (Outhouse Theatre Co); costume design for
AS YOU LIKE IT (Sport for Jove); set and costume design for OUR BLOOD RUNS IN THE
STREET (Red Line Productions); set and lighting for VENUS IN FUR, costume and lighting
design for WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN (NIDA).

She has received four Sydney Theatre Award nominations: for Best Stage Design of an
Independent Production for EXIT THE KING and ULSTER AMERICAN; Best Lighting Design
of an Independent Production for HAPPY DAYS; and Best Lighting Design of an
Independent Production for JOHN.

Bio updated July 2024